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Nights at the circus: Nightmare Alley (Edmund Goulding, 1947)

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Agatha Christie goes noir: The Unsuspected (Michael Curtiz, 1947)

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Screwball schemes and frilly dresses: The Flame of New Orleans (Rene Clair, 1941)

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Family drama, Italian-American style: House of Strangers (Joseph L. Mankiewicz, 1949)

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Bogie in the desert: Sahara (Zoltan Korda, 1943)

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An idiosyncratic noir: Phantom Lady (Robert Siodmak, 1944)

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The boy who knew too much: The Window (Ted Tetzlaff, 1949)

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The perennial noir favourite: Laura (Otto Preminger, 1944)

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A delightful romance: The Ghost and Mrs. Muir (Joseph L. Mankiewicz, 1947)

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Noir on a dark night: Sorry, Wrong Number (Anatole Litvak, 1948)